Monday, March 28, 2011

Introduction to the Pythagorean Mathematical Philosophy & the Quadrivium


The philosophical tradition surrounding the name of Pythagoras derives its mistique from how little we know of its origins, while at the same time can claim the mathematical development and scientific advancements as verification of its basis in wisdom and truth.

The Pythagoreans divided their teaching into a four-fold system called the Quadrivium, consisting of Arithmetic/Number, Harmonics/Music, Geometry, Cosmology/Astronomy. Nicomachus of Gerasa, well known as being the greatest Neo-Pythagorean of his time, can help us understand the meaning of this division of their teaching:

"Things, then, both those properly so called and those that simply have the name, are some of them unified and continuous, for example, an animal, the universe, a tree, and the like, which are properly and peculiarly called "magnitudes"; others are discontinuous, in a side-by-side arrangement, and, as it were, in heaps, which are called "multitudes", a flock, for instance, a people, a heap, a chorus, and the like.
"Wisdom, then, must be considered to be knowledge of these two forms.  Since, however, all multitude and magnitude are by their own nature of necessity infinite-- for multitude starts from a definite root and never ceases increasing; and magnitude, when division beginning with a limited whole is carried on, cannot bring the dividing process to an end, but proceeds therefore to infinity-- and since sciences are always sciences of limited things, and never of infinites, it is accordingly evident that a science dealing either with magnitude, per se, or with multitude, per se, could never be formulated, for each of them is limitless in itself, multitude in the direction of the more, and magnitude in the direction of the less.  A science, however, would arise to deal with something separated from each of them, with quantity, set of from multitude, and size, set off from magnitude.

Again, to start afresh, since of quantity one kind is viewed by itself, having no relation to anything else, as "even", "odd", "perfect", and the like, and the other is relative to something else and is conceived of together with its relationship to another thing, like "double", "greater", "smaller", [etc], it is clear that two scientific methods will lay hold of and deal with the whole investigation of quantity; arithmetic, absolute quantity, and music, relative quantity.

"And once more, inasmuch as part of "size" is in a state of rest and stability, and another part in motion and revolution, two other sciences in the same way will accurately treat of "size", geometry the part that abides and is at rest, astronomy that which moves and revolves."    
 -- Nicomachus of Gerasa: Introduction to Arithmetic I - ch. 2-3

Another clear description of the way the Pythagoreans divided learning into the Quadrivium is given by the late Neo-Platonist Proclus:

"The Pythagoreans considered all mathematical science to be divided into four parts: one half they marked off as concerned with quantity, the other half with magnitude; and each of these they posited as twofold.  A quantity can be considered in regard to its character by itself or in its relation to another quantity; magnitudes as either stationary or in motion.  Arithmetic, then, studies quantity as such; music the relations between quantities; geometry [studies] magnitude at rest, spherics [studies] magnitude inherently moving.  The Pythagoreans consider quantity and magnitude not in their generality, however, but only as finite in each case.  For they say that the sciences study the finite in abstraction from infinite quantities and magnitudes, since it is impossible to comprehend infinity in either of them.  Since this assertion is made by men who have reached the summit of wisdom, it is not for us to demand that we be taught about quantity in sense objects or magnitude that appears in bodies.  To examine these matters is, I think, the province of the science of nature, not that of mathematics itself."   
 -- Proclus: A Commentary on the First Book of Euclid's Elements - Prologue I ch. 7

 The study of arithmetic was given before anything else, so fundamental was the doctrine of Number for their philosophical school.  Nicomachus can help us see why arithmetic must be studied first:

"Which then of these four methods must we first learn?  Evidently, the one which naturally exists before them all, is superior and takes the place of origin and root and, as it were, of mother to the others.  And this is arithmetic, not solely because we said that it existed before all the others in the mind of the creating God like some universal and exemplary plan, relying upon which as a design and archetypal example the creator of the universe sets in order to their proper ends; but also because it is naturally prior in birth, inasmuch as it abolishes other sciences with itself, but is not abolished together with them.
"So it is with the foregoing sciences; if geometry exists, arithmetic must also needs be implied, for it is with the help of this latter that we can speak of triangle, quadrilateral, octahedron, icosahedron, double, eightfold, or one and one-half times, or anything else of the sort which is used as a term by geometry, and such things cannot be conceived of without the numbers that are implied with each one.  For how can "triple" exist, or be spoken of, unless, the number 3 exists beforehand, or "eightfold", without 8?  But on the contrary 3, 4, and the rest might be without the figures existing to which they give names.
"Hence arithmetic abolishes geometry along with itself, but is not abolished by it, and while it is implied by geometry, it does not itself imply geometry.
"And once more is this true in the case of music; not only because the absolute is prior to the relative, as "great" to "greater" and "rich" to "richer" and "man" to "father", but also because the musical harmonies, diatessaron, diapente, and diapason, are named for numbers; similiarly all of their harmonic ratios are arithmetical ones, for the diatessaron is the ratio 4:3, the diapente that of 3:2, and the diapason the double ratio; and the most perfect, the didiapason, is the quadruple ratio.
"More evidently still astronomy attains through arithmetic the investigations that pertain to it, not alone because it is later than geometry in origin-- for motion naturally comes after rest-- nor because the motions of the stars have a perfectly melodious harmony, but also because risings, settings, progressions, retrogressions, increases, and all sorts of phases are governed by numerical cycles and quantites.
"So then we have rightly undertaken first the systematic treatment of this, as the science naturally prior, more honorable, and more venerable, and as it were, mother and nurse of the rest."    
 -- Nicomachaus of Gerasa: Introduction to Arithmetic I - ch. 4-5

It is recommended that a deeper understanding of the philosophy of the Quadrivium is gained by meditation on these quotations from the mathematician-philosophers.

We shall be exploring the Quadrivium and related areas in future posts.

Tuesday, March 15, 2011

The Seed of the Tree of Life: 0=1

"And the Elohim are saying: 'Bring forth a Fruit Tree yielding Fruit, whose Seed is in Itself'" - Genesis 1:11.


Consider these packets as a formal language for symbolic meditation.



0=1
[
0, infinite emptiness
1, the seed point of beginning
1, a point is a location in space but has no extension into space
 ]
1=0



1=2
[
1, point of beginning
1, the self
2, the awareness of self
2, the self and the awareness joined by a line
2, the line extends the point into space
2=1




2=3 
[
2, line of extension is the memory of the point
2, the self and the awareness of self
3, the understanding that the self is not the awareness of self
3, three points on a triangle: (self, awareness, understanding)
3, triangle repeats twice the linear extension of the point into a line
3, repeated duplication
]
3=2




3=4 
[
3, repeated duplication is growth and life
4, seed-tree-fruit-seed
4=3




4=1 
[
4, after the 3 (seed-tree-fruit) comes the 4 (seed in the fruit)
4, the seed in the fruit
1, the seed that gets planted and grows into a Fruit Tree yielding Fruit, whose Seed is in it's SELF
]
1=4




4 = 10 = 1
[
4, 1+2+3+4 = 10
10, the fruit of the Tree of Life
10, 1+0 = 1
1, the seed of the Tree of Life
]




The Tetractys, attributed to Pythagoras


The Tetragrammaton - the Name (Shem) YHVH
 

Tetragrammaton as Tetractys


Man made in the image of God


Tree of Life over the Human body


The Tree of Life diagram

Tuesday, January 11, 2011

Some Figurate Numbers and Gematria

A key area for studying the relationship between geometry and gematria is though the Figurate Numbers.  These archtypal integer sequences show patterns of dots in geometric configurations.  The number of dots in each configuration is an important key to gematria analysis.

A good example is the Centered Hexagonal Numbers:



The number 37, the 4th Centered Hexagonal, has many interesting properties.

An interesting observation between 37 and multiples of 3:
111 = 37 * 3 and 1+1+1 = 3
222 = 37 * 6 and 2+2+2 = 6
333 = 37 * 9 and 3+3+3 = 9
444 = 37 * 12 and 4+4+4 = 12
555 = 37 * 15 and 5+5+5 = 15
666 = 37 * 18 and 6+6+6 = 18
777 = 37 * 21 and 7+7+7 = 21
888 = 37 * 24 and 8+8+8 = 24
999 = 37 * 27 and 9+9+9 = 27

Also, notice that 3*3*3 = 27 and 27 reduces to 9, which is 3*3.  Some other curios:

1+2+...+9 = 45.  45 reduces to 9.
1+2+...+45 = 2070 suggests again 27 and reduces to 9.
1+2+...+2070 = 2143485 which reduces to 27 (wow!)

There are 22 letters in the Hebrew alphabet, and if we also count the 5 finals we get 27.  There are 24 letters in the Greek alphabet plus 3 letters only used in arithmetic (digamma, quppa, sampi), also giving 27.

Consider the 27 small cubes shown below.  Only 26 of the small cubes can be seen from the outside, while there is One small cube in the center which is concealed.  26 = YHVH.



An important aspect of the Centered Hexagonal Numbers is that they are differnces of Cube Numbers:



Also, they can be seen as the diagonal projection of the Cube Numbers:



By Greek gematria, 64 is the number of the word Alethia/Truth.

64 is the smallest figurate that is both a Square and a Cube.  As a Square, 64 = 8 * 8, so it relates to the Magic Square of Mercury, whose symbol gives 37.

37 is a Prime number, while 64 has only a single Prime factor, which is 2, the smallest Prime.

In decimal form, 64/37 = 1.729729729...

729 is the next smallest figurate after 64 that is both a Square and a Cube.  As a square, 729 = 27 * 27.  As a cube, 729 = 9 * 9 * 9.

Also by Greek gematria, 37 * 64 = 2368, which is the number of the letters in the name Jesus Christ.

There is also an occult correspondence between the Golden Ratio and the gematria of Jesus Christ.

By Greek gematria, Jesus = 888, while Christ = 1480.  Then Jesus Christ = 2368.

Now observe:
888 = 37 * 24
1480 = 37 * 40
2368 = 37 * 64

The proportion 24 : 40 : 64 is the same as 3 : 5 : 8 as can be seen by dividing by 8.  By Hebrew gematria, 358 = Messiah.

This shows the Golden Ratio in the name of the Messiah, which could be writen:

Jesus is to Christ as Christ is to Jesus Christ

One idea suggested by this is that: Humanity's aspirations to unite with God are like God's aspirations to create a Divinized Humanity.

Wednesday, November 3, 2010

The NeT

It is no mistake that the legend of Pythagoras says that he discovered harmony by observing the change of sound in relation to the length of the string. This is a symbolic clue that the deepest Pythagorean mysteries are to be found in the alchemical knowledge and application of sound vibration.

The legend also says that Pythagoras had spent many years learning from the Hierophants of the Egyptian Temples. This is no coincidence, because there was actually a Geometric Energy Science behind the design of the Temples. This was used in conjunction with the alchemical knowledge of sonic chanting.

It is very significant that the Hebrew word for rope or string is spelled with the letters GML. This is also the word Camel, which is the letter Gimel spelled out. Gimel is key 2 - The High Priestess.

Image

As a symbol for subconsciousness and alchemical Water, the High Priestess is also a symbol for the Net. The Net is a term employed by the Egyptian initiates as a symbol for Nature. The Gods/Goddesses of Egypt were called NeTeR by the Egyptians. This is where we get the word for Nature. The High Priestess is also an aspect of Isis.

The language of the NeTeR is the language of symbols. The points (1) on the Net are individual symbols. The lines (2) connecting the points are the relationships between symbols. Information flows like Water across these lines. The lines of the Net are the ropes and strings.

The Gimel (Camel) is symbolizes the carrying of goods and information from House to House. And a Camel is always carrying Water. It's neck is shaped like a bow, and the primitive Hebrew letter for Gimel was shaped like a bow. And a bow resembles the crescent Moon. A Camel travels and returns like the waxing and waning of the Moon.

On the High Priestess we see a Cross on her breast, while she sits on a throne in the shape of a Cube. The cross symbolizes the points on the Net where lines of information cross over each other. When we stack Cubes together, each corner point then becomes a cross in 3-dimensions.

The Sepher Yetzirah contains the core system of the Qabalistic correspondence to Tarot and the Tree. The first line of the text reads: "In 32 mystical Paths of Wisdom did the Lord write, ...". Here, Paths is Netivoth (Nun Tav Yod Beth Vav Tav) which is the plural of Netiv (Nun Tav Yod Beth) = 462. Wisdom is Chokmah (Cheth Kaph Mem Heh) = 73. 73 is also the number of Gimel (Gimel Mem Lamed) = 73. On the Tree, Chokmah is number 2, and the Tarot key for Gimel is key 2.

462 = 22*21.

462 is the number of 2-letter sequences of Hebrew letters, without repeating a letter. This means that we need to combine the letters and understand their pairs in order to travel the Paths. We need to separate the letters, see how they are different, then see how they are similar. That is, first make Thesis-Antithesis pairs, then reunite these into a Synthesis of unity. And the Sepher Yetzirah describes the Path of Gimel as the Uniting Intelligence.

This idea is symbolized by the pillars and veil on key 2. The discovery of the hidden connections and relationships between two different letters is really the same as peering behind the Priestess's veil. Note that the veil is made of fabric, which has the shape of the Net.

The Paths of the Tree are said to be Paths of Wisdom (Chokmah = 73). This means that the Tree is to be seen as a master pattern for structuring our consciousness. The Tree itself is a Net, the Sephiroth being the points, and the Paths/Letters being the connecting lines.

Image

We ride the Camel along the Paths as we journey through the Tree. The Paths flow like Water, because this is the Water of Wisdom that flows from the Priestess's robe. The Water is really the mirror wherein the One Self contemplates its own reflection, and so the Wisdom received along the Paths is really just a memory.

Image

The Hanged Man shows reversal because Water is the basic mirror. The Hebrew letter Mem means Water. The letter Mem has the value 40. and

40 = 4 * 10.

There are 4 Worlds and 10 Sephiroth in each world. This gives a system of 40 Sephiroth. These are the 40 numbered keys of the Minor Arcana (4 suits * 10 numbered cards).

The Hanged Man has white hair because he is really The Hermit, as he is reflected in this world. The One Identity creates the Tree as a Net, a subconscious system to record and preserve a universe. The substance of the Tree is the Water, and it flows through the Paths of Wisdom, just as thoughts flow through our consciousness. It is the way the One Identity creates a mirror, so that it can see its own Face.

In this way, we see the entire Tree as a musical instrument. The strings are the paths, and the vibrations of the strings are the waves in the Water. Each thought in our consciousness has its own specific rate of vibration, and its own geometric form.

Image


The work of the One Alchemist is the work of the One Identity (The Hermit) perfecting and tuning its musical instruments. The Hanged Man shows that the real musical instrument is each individual human personality. The One Alchemist tuning this instrument into Perfect Pitch is shown in key 14 - Temperence. And note what is meant by Equal Temperament in music theory.


Scale down to the Planck length and create a 3d-grid of equally spaced points. Then join them all up in perfect Cubes.

Image


The edges of these cubes are the Chords (cords) of the NET.

Image


So take that image and imagine the edges of these Cubes of Space to be vibrating.

The Hindu Shabda-Brahma, or Sound-Deity, is held to maintain the world through sound vibration. The Qabalah teaches that the Worlds and Spheres came into being through spoken commands. The first chapter of Torah B'Reshit (Book of Creation) declares that each act of creation was preceded by speech: "And God said ..." And the doctrine of the Logos has been succinctly described as "In the beginning was the Word ..."

Fundamental to Pythagorean thinking is the idea of
resonance. Strike a tuning fork and hold it near an other unstruck tuning fork of the same note. The second one will vibrate in resonance with the first.

Our personal subconsciousness is just a portion of the Great Sea of universal subconsciousness. The Camel establishes us in connection to all points in space.

By striking the right notes, one can access the Powers of creation through resonance. In effect, one learns to sing along with the melodies of creation.


----------------

The Sepher Yetzirah relates that the Six Directions of Space were sealed with the letters IHV (Yod Heh Vav) = 21. Each one of the three dimensions, corresponding to the three mother letters Aleph Mem Shin, represents the number 42 as 21+21 = 42.

The Qabalah teaches that there are two femenine aspects to Deity, the Dark Sterile Mother AMA (Aleph Mem Aleph) = 42 and the Bright Fertile Mother AIMA (Aleph Yod Mem Aleph) = 52. AMA is the High Priestess while AIMA is the Empress.

This connects the idea of Cubes of Space with AMA through the number 42. And it can only be left to amazement to notice that 52 + 21 = 73.

We live in a Many and One universe. The Number 2 is the cause of all Many-ness:
1+2 = 3 : "Supernal Triangle - Three Mothers"
1+2+3 = 6 : "He sealed Six directions of Space"
1+2+3+4+5+6 = 21 : "with the letters IHV"

1+2+3+4+5+6+7+8+9+...+19+20+21 = 231 : "231 Gates = 231 pairs of letters"

2
+4+6+8+10+12+14+16+18+...+38+
40+42 = 462 : "Paths of Wisdom"

3 Mothers = Keys 0, 12, and 20.
0+12+20 = 32.

--------------

Victory is achieved when the Water flows through a perfectly tuned instrument. A Master of the NET is one who can Speak the magical language of creation. In this connection, key 2 is the Moon, which rules Cancer, and Cancer is key 7 - The Chariot.

Image

Notice the crescent Moons on the shoulders, while the clear Waters flow behind. The letter Cheth is assigned to the function of Speech. The Sepher Yetzirah calls the Path of Cheth the Intelligence of the House of Influence. The House is Beth. It is a House of influence because of receptivity to the One Will, and also because success in the Great Work is measured by Mastery of Language, i.e. the NET.

-------------

"The world is made of Words, and if you know the Words that the world is made of, then you can make of it what you Will."

The Cross is Tav, key
21 - The World. Geometrically, a Cross is two perpendicular lines, which meet at 90 degree angles. Our Cubes of Space shown above will generate a system of 90 degree angles.

Image

Image

90 is the number of Mem (Water) spelled as MIM (Mem Yod Mem) = 90. Mem is key 12. The Hanged Man is reversed, and the reversal of 21 is 12. 12+21 = 32. The gallows is shaped like the letter Tav, and the Hanged Man is suspended by the
rope. Both the Hanged Man and the dancer Cross their legs. The letter Tav is the Center of the Cube of Space, where the 3 dimensions Cross. Mem final is also assigned to the Center of the Cube. The Center is also the Heart, Lev (Lamed Beth) = 32.

90 is also the value of the letter Tzaddi, the Fish-Hook. The Fish-Hook can only catch a single Fish, but the NET will multiply the Fishes (Vesica Pisces). Be sure to purify your NETKingNET is the Holy Grail. in the Water before you go fishing, otherwise you may be eating Dirt. Only a Fisher- can catch Gold every time, because his

90 = MLK (Mem Lamed Kaph) = Melek = King, Master

The Master of the NET is the King of Space.

It may seem as if this thread could go on forever, or that we are moving in Circles, but we are really weaving the Robe of the King.

-----------------


"We live in a Many and One Universe."

The Number 2 is the cause of manifestation. It is the One duplicating itself as reflective substance, and then self-remembering.

The act of creation can be reconstructed with the magical tools of compass and ruler. The Godhead as First Logos, the One, is symbolized by the Point in the Circle. (22/7 ~ 3.14... = pi, 360 degrees : ShIN = 360). The act of drawing a Circle with the compass (power of 1) is an important magical ritual.

Image


Since we know that the first act of manifestation is self-reflection, our geometric construction should 'reflect' the compass, that is, we switch the point in the center and a point on the circumference. The sharp point of the compass is used where the pencil point was used before, and vice versa.

Image

The birth of the universe takes place in the area created by the overlapping Circles. This shape is called the Vesica Pisces, which means literally "bladder of the Fish".

Image

Next we use the ruler (power of 2) to join the points (1) with lines (2). This gives 1+2 = 3.

Image


The Creation takes place in Six (1+2+3=6) Days, and on the Seventh (1+2+3+4+5+6+7=28 perfect number, 2+8=10=1) He rested. That is, we make Six circles around the One.

Image


This makes 13 Points. Key 13 = Nun = Fish. 13 = Love = AHBH, 13 = Unity = AChD. 13+13 = 264. = IHVH = 4 letters, 3 different letters, 1 Name. 1+3 =

The birth of the Net is the birth of the Cube. There are 6 square (4) faces, 12 edges, 8 corner points. 6+12+8 = 26.

Image

Here we see also see 6 equilateral triangles. They are equilateral, suggesting equilibrium of polar opposites. Each angle is 60 degrees. 60 is the value of the letter Samek, which is Key 14 - Temperence.


Image

We see here that the One Alchemist is identified as IHVH, and this is written on the Robe.

26+26 = 52

IHVH = Yod Heh Vav Heh = Hand Window Nail Window = YVD HH VV HH = 20+10+12+10 = 52.
52 = AIMA = The Empress = Venus = 'Circle and Cross' = 22 + 4 = 26.

52 = BN = Ben = Son.

AIMA = Binah = 3
BN = Tiphareth = 6
1+2+3 = 6

The 33 is really 3 * 3 = 9, the 3 multiplying itself. After the stage of self-reflection, there is growth, symbolized by the number 3 and Key 3. The 3 multiplies itself, showing the fractal recursion of all growth processes.

When we continue the geometric construction process, the duplication of the Cube is the birth of the Son. This is done by drawing three more Circles, for a total of 10 Circles.

Image

We see here that there are two Cubes, giving 10 equilateral Triangles, 10 Points, and 19 Lines.

This is really the construction of the Perfect Tree, before the Fall.


Image

The 10 Ineffable Sephiroth assembled into the Perfect Tree (Double Cube) are the BLUEprint for the rest of creation, as the 2-dimensional design becomes manifest in the 3-dimensional space, and the 60 becomes the 90.

90:60 = 3:2 = Perfect Fifth = 2nd Fibonacci Pair (Golden Ratio)

It is the Hermetic "As Above, so Below", the Philosopher's Stone. This is the Stone, Ehben ABN (Aleph Beth Nun) = 53. Also, Gold is Kammaw ChMH (Cheth Mem Heh) = 53. If we want to catch Gold in our Net, we have to make our Net into the shape of the Cube, the Stone, the Ehben, where there Father AB = 3 and the Son BN = 52 are One: AB+BN = ABN = 53.

53 = 5:3 = 3rd Fibonacci Pair

52+3 = 55
1+2+3+4+5+6+7+8+9+10 = 55
55 = 5+5 = 10
10 = Malkuth

This is the perfect union of Macrocosm (6) and Microcosm (5), while the Divine Name of Malkuth is Adoni ADNI = 65. Notice also that Malkuth is spelled MLKVTh = 496. This is the plural of King, Melek MLK = 90. Malkuth is the Sphere of the Kings of the Net.


496 : perfect number
1+2+3+...+30+31 = 496
31 = AL = Divine Name of Chesed
4 = Chesed
1+2+3+4 = 10

Mastery of the Net involves the harmonizing the Son with the fractality of the Tree, since there is a Tree in each Sephiroth (10 * 10 = 100).

100 + 53 = 153.

The secret is to make Fishers of Men. The 153 takes us back to the Vesica Pisces.

Image



The Height : Width ratio of the Vesica Pisces is exactly the square root of 3 ~ 1.73... The approximation 265 : 153 was used in the ancient mystery tradition.


Image

This form of the cross suggests the Christian Cross:

Image


Which brings us back to the Cubes of Space:



The mystery of the "miraculous catch of 153 fish" alluded is to in the 21st chapter of the Gospel of John.

Quote:
1. Afterward Jesus appeared again to his disciples, by the Sea of Tiberias.[a] It happened this way: 2. Simon Peter, Thomas (called Didymus), Nathanael from Cana in Galilee, the sons of Zebedee, and two other disciples were together. 3. "I'm going out to fish," Simon Peter told them, and they said, "We'll go with you." So they went out and got into the boat, but that night they caught nothing.

4. Early in the morning, Jesus stood on the shore, but the disciples did not realize that it was Jesus.

5. He called out to them, "Friends, haven't you any fish?"
"No," they answered.

6. He said, "Throw your net on the right side of the boat and you will find some." When they did, they were unable to haul the net in because of the large number of fish.

7. Then the disciple whom Jesus loved said to Peter, "It is the Lord!" As soon as Simon Peter heard him say, "It is the Lord," he wrapped his outer garment around him (for he had taken it off) and jumped into the
water. 8. The other disciples followed in the boat, towing the net full of fish, for they were not far from shore, about a hundred yards.[b] 9. When they landed, they saw a fire of burning coals there with fish on it, and some bread.

10. Jesus said to them, "Bring some of the
fish you have just caught."

11
. Simon Peter climbed aboard and dragged the net ashore. It was full of large fish, 153, but even with so many the net was not torn. 12. Jesus said to them, "Come and have breakfast." None of the disciples dared ask him, "Who are you?" They knew it was the Lord. 13. Jesus came, took the bread and gave it to them, and did the same with the fish. 14. This was now the third time Jesus appeared to his disciples after he was raised from the dead.

Footnotes:

a
. John 21:1 That is, Sea of Galilee
b
. John 21:8 Greek about two hundred cubits (about 90 meters)

- John 21:1-14 (New International Version)


Notice that the number 153 appears in the 11th verse. And this is the 21st and final chapter of the Gospel of John. 21 * 11 = 231.

The Fish are caught in the Net. The Water is the Sea of Galilee.

Galilee = GLLI = (Gimel Lamed Lamed Yod) =
73.

53 = Stone = Gold = 5:3 = 3rd Fibonacci Pair (Golden Ratio)

265 = 53 * 5
153 = 51 * 3

53 = 1+2+3+10+16+19+21 -19 (Seven Planets Key-numbers, minus The Sun/Son key 19)
51 = 0+12+20 +19 (Three Mothers Key-numbers, plus The Sun/Son key 19)

The Sun/Son is Christ Jesus as told in the story. But every Star is also a Sun.

Image

Key 17 = The Star = Tzaddi (90) = Fish-Hook

1+2+3+...+16+17 = 153.

In the first image above in this post, 153 represents the radius of each Circle, the circle's unit of measurement. This says that we begin building the Net using the lessons of Key 17 - The Star. Its basic meaning is Meditation.

Friday, August 6, 2010

Arithmetic = a-RHYTHM-etic

In the theory of Tone and Color Alchemy, we have observed the fundamental Alchemical Proportion

SPEECH : SIGHT :: TONE : COLOR

as a revelation on the text of The Book of Tokens Meditation on Heh: "In very truth, I utter myself by seeing."

The mystery of the Heart is in the hidden connection between all things. There must be a direct connection or common ground to both speech and sight, or tone and color. What is it?

This is really the core mystery of the Sepher Yetzirah. The text, as brief as it is, contains the basic pattern of the Qabalistic model. This is spelled out quite explicitly in the very first verse:

Quote:

With 32 mystical paths of Wisdom
engraved Yah
[...]
And He created His universe
with three books (Sepharim),
with text (Sepher)
with number (Sephar)
and with communication (Sippur).


The Sepher (text) refers to the form and shape of the Hebrew Letters. We use our SIGHT to differentiate the letters from each other.

The Sippur (communication) refers to the letters as spoken utterances: SPEECH.

The Sephar (NUMBER) stands between the two and unites these two different aspects. How? Through RHYTHM! Just consider how the whole Marcotone method is based on how the frequency (RHYTHM) of specific sound waves (tones) has an exact numerical correspondence with the frequency (RHYTHM) of specific light waves (colors).

There is a Gold-mine (yours and mine) of wisdom that can be revealed through contemplating NUMBER as that which unites TONE and COLOR. I have acquired much already from only surface exploration and observation. I will continue to dig deeper. Those who are interested in this topic would find the following clues as good bait for the Fish-Hook:

Arithmetic = a-RHYTHM-etic

Image

Image





Image

Thursday, July 29, 2010

Mandelbrot Set as the Vast Face

The Mandelbrot set has become an icon for fractal mathematics. It is a good way to understand the essential fractality of Qabalistic teachings. It is based on the fact that consciousness and life require a self-replicating system.

But first, let's review the Tree of Life:
http://www.workofthechariot.com/TextFiles/Graphics/Flattree.gif


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As Above: The Vast Face (Arik Anpin / Kether)

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So Below: The Small Face (Zauir Anpin / Tiphareth)

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The beginning of the Sepher haZohar speaks of a "fruit tree, yielding fruit, whose seed is in itself". Watch this video for further insight:



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